In the tradition of what would later be called
salvage ethnography, Flaherty captured the struggles of the
Inuk man named Nanook and his family in the
Canadian Arctic. The film is considered the first
feature-lengthdocumentary. Some have criticized Flaherty for staging several sequences,
[1] but the film is generally viewed as standing "alone in its stark regard for the courage and ingenuity of its heroes."
[2][3]
In 1989, this film was one of the first 25 films to be selected for preservation in the United States
National Film Registry by the
Library of Congress as being "culturally, historically, or aesthetically significant".
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